{"id":2122,"date":"2021-03-25T20:44:25","date_gmt":"2021-03-25T19:44:25","guid":{"rendered":"https:\/\/pipol10.pipolcongres.eu\/2021\/03\/25\/una-ficcion-de-auto-engendramiento-vilma-coccoz\/"},"modified":"2021-03-25T21:26:26","modified_gmt":"2021-03-25T20:26:26","slug":"a-fiction-of-self-generation-vilma-coccoz","status":"publish","type":"post","link":"https:\/\/pipol10.pipolcongres.eu\/en\/2021\/03\/25\/a-fiction-of-self-generation-vilma-coccoz\/","title":{"rendered":"A fiction of self-generation \u2013 Vilma Coccoz"},"content":{"rendered":"<div class=\"pf-content\"><p>\u201cIn the beginning, there was not the origin. There was the place\u201d\u00a0<a href=\"#_edn1\" name=\"_ednref1\">[1]<\/a>, says Lacan, making the words of <em>Genesis<\/em> resonate and indicating the need to rely on topology when exploring the &#8220;mystery of the incarnation&#8221; as to being into the word. Years later, his statement \u201cFiat hole!\u201d\u00a0<a href=\"#_edn2\" name=\"_ednref2\">[2]<\/a> translates the topological truth of the biblical statement \u201cFiat lux\u201d.<\/p>\n<p>Usually, this hole is covered by the order of succession between beings. Although, says Lacan, \u201cnothing in the symbolic explains the fact of their individuation, the fact that beings come from beings.\u201d\u00a0<a href=\"#_edn3\" name=\"_ednref3\">[3]<\/a> One thing \u201cevades the symbolic tapestry, it&#8217;s procreation in its essential root \u2013 that one being is born from another.\u201d <a href=\"#_edn4\" name=\"_ednref4\">[4]<\/a> \u201cCreatures don&#8217;t engender creatures.\u201d\u00a0<a href=\"#_edn5\" name=\"_ednref5\">[5]<\/a> A creature, he adds, is unthinkable without an act of creation, without an event of saying \u2013 \u201cI\u201d \u2013 and that makes it different from a mere emergence.<\/p>\n<p>The developments of \u00c9ric Laurent and Jean-Claude Maleval allow us to see the importance of Joey&#8217;s self-generation fiction, a paradigmatic case of autism that illustrates the foreclosure of the hole and the construction of a border through the use of the \u201cbody-machine.\u201d Since he could not find as a support the function of the Other that gives access to the subjectivation of the body, he felt, when going to the toilet, that \u201cthe earth was moving.\u201d <a href=\"#_edn6\" name=\"_ednref6\">[6]<\/a> He became furious when they tried to assure him that his body was fine. \u201cMy brain isn&#8217;t working right. There&#8217;s a forgetfulness part in my brain. You have to cut it out because I don&#8217;t remember\u201d, he would say\u201d\u00a0<a href=\"#_edn7\" name=\"_ednref7\">[7]<\/a>, while justifying the need for a <em>neo-border<\/em>: \u201cthere are live people and then there are people who need tubes.\u201d\u00a0<a href=\"#_edn8\" name=\"_ednref8\">[8]<\/a><\/p>\n<p>The book includes some of his productions, such as body-tubes, body-cables, dinosaurs with excrement coming out of the body. Through this work of nomination, in a world invaded by feces, oil wells and drills surged, extending the series of signifiers and, by means of metonymy, the anal object was able to move outside the body. Bettelheim notes: \u201cBecause we were deeply interested in, and accepted these fantasies without forcing ourselves on Joey as participants, or for some other reason, he began slowly to include us.\u201d\u00a0<a href=\"#_edn9\" name=\"_ednref9\">[9]<\/a><\/p>\n<p>The \u201ctrail-track game\u201d would mark a substantial advance. On Easter day, the children followed the painted tracks of a bunny to the presents. Joey incorporated this element \u2013 the trail-track \u2013 into his circuits, which became \u201cour best chance for personal contact.\u201d\u00a0<a href=\"#_edn10\" name=\"_ednref10\">[10]<\/a> He used mud and dirty paper as a writing of his passage, the others were glad to participate in his game, he \u201cbecame clean\u201d and began to talk about his favorite counselor. Then came the development of drainage and sewage systems. He showed a keen interest in all the openings, and furthermore, in his peers.<\/p>\n<p>At the end of his first year in the institution, it was about about a serious passage to the act he had suffered and that had been interpreted as a suicide attempt. Joey asked to be allowed to hurt himself, for he didn&#8217;t feel anything in his hand. \u201cWe assured him we would always do our best to take good care of him and not let such accidents occur, that we were sorry it had happened.\u201d\u00a0<a href=\"#_edn11\" name=\"_ednref11\">[11]<\/a> The child was then able to explain: &#8220;the small person&#8217;s things were all over and I was rampaging, kind of wild and hard, and I went through the glass; that small person&#8217;s things were scattered all over. The small person, gosh darn it; my parents have had her for a long time.\u201d <a href=\"#_edn12\" name=\"_ednref12\">[12]<\/a> Therefore, the passage to the act clearly appeared to be motivated by his sister&#8217;s rejection due to an experience of intrusion. This led to the conquest of a \u201ctransitive\u201d identity: a boy three years older, Ken, \u201cfused with Joey&#8217;s most powerful tube, a Kenrad\u201d <a href=\"#_edn13\" name=\"_ednref13\">[13]<\/a>. He functioned as a \u201cdespotic god\u201d for months during which Joey displayed exuberant and childish demeanor until the day he put a blanket on and cuddled up in it.<\/p>\n<p>He lived for several months the fiction of papoose (which means &#8220;baby among the Indian of north America). He drew himself as an electric papoose: a Connecticut Papoosea person inside a crystal lamp, connected and cut off at the same time (<em>Connect-I-cut<\/em>). Then he added structures called \u201chennigan wagons\u201d to them, alluding to the parm in which he wanted to be carried around. Bettelheim deduces that thes signifier refers to <em>hen-I-can<\/em>, nothing that, unfailingly, he was driving it.<\/p>\n<p>Faced with his concern about this \u201celectronic\u201d birth, the educators had asked him if it would not be better to be born from a hen, which, at least, is a living being. Such intervention may be at the origin of the self-generation fiction: \u201cI laid myself as an egg, hatched myself, and gave birth to me.\u201d\u00a0<a href=\"#_edn14\" name=\"_ednref14\">[14]<\/a><\/p>\n<p>Later, he included another character, a specular double named Valvus: \u201cpecking our way out of the shell when we were born. We weren&#8217;t joined together, but we were very close.\u201d <a href=\"#_edn15\" name=\"_ednref15\">[15]<\/a> At that time he manifested a clear preference for the <em>New World Symphony<\/em>, a world where Joey would find himself a place by <em>unfreezing<\/em> his word.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>Translation: Aurelie Solliec<\/em><\/p>\n<p style=\"text-align: right;\"><em>Proofreading: Alejandro Sessa<\/em><\/p>\n<p style=\"text-align: right;\"><em>Photography: \u00a9<\/em><em>Kervyn Emmanuel<\/em>: <a href=\"http:\/\/emmanuelkervyn.canalblog.com\/\">http:\/\/emmanuelkervyn.canalblog.com\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ednref1\" name=\"_edn1\">[1]<\/a> Lacan, J. <em>My Teaching<\/em>, translated by David Macey, Verso, London, 2008, 4.<\/p>\n<p><a href=\"#_ednref2\" name=\"_edn2\">[2]<\/a> Lacan, J. (1975), \u201cReligions and the Real\u201d, in <em>Lacanian Review, Hurly-Burly<\/em> 1, 2016, edited by J.-A. Miller, translated by Grigg. R., 8\u201314.<\/p>\n<p><a href=\"#_ednref3\" name=\"_edn3\">[3]<\/a> Lacan, J. <em>The Seminar, Book III, The Psychoses,<\/em> <em>1955-1956<\/em>, edited by Miller J.-A, translated by Grigg, R., W. W. Norton &amp; Company, New York, 179.<\/p>\n<p><a href=\"#_ednref4\" name=\"_edn4\">[4]<\/a> Ibid.<\/p>\n<p><a href=\"#_ednref5\" name=\"_edn5\">[5]<\/a> Ibid.<\/p>\n<p><a href=\"#_ednref6\" name=\"_edn6\">[6]<\/a> Bettelheim, B. <em>The Empty Fortress: Infantile Autism and the Birth of the Self<\/em> (1972), The Free Press, New York, 267.<\/p>\n<p><a href=\"#_ednref7\" name=\"_edn7\">[7]<\/a> Ibid., 268.<\/p>\n<p><a href=\"#_ednref8\" name=\"_edn8\">[8]<\/a> Ibid., 253.<\/p>\n<p><a href=\"#_ednref9\" name=\"_edn9\">[9]<\/a> Ibid., 276.<\/p>\n<p><a href=\"#_ednref10\" name=\"_edn10\">[10]<\/a> Ibid., 277.<\/p>\n<p><a href=\"#_ednref11\" name=\"_edn11\">[11]<\/a> Ibid., 288.<\/p>\n<p><a href=\"#_ednref12\" name=\"_edn12\">[12]<\/a> Ibid.<\/p>\n<p><a href=\"#_ednref13\" name=\"_edn13\">[13]<\/a> Ibid., 299.<\/p>\n<p><a href=\"#_ednref14\" name=\"_edn14\">[14]<\/a> Ibid., 325.<\/p>\n<p><a href=\"#_ednref15\" name=\"_edn15\">[15]<\/a> Ibid.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cIn the beginning, there was not the origin. There was the place\u201d\u00a0[1], says Lacan, making the words of Genesis resonate and indicating the need to rely on topology when exploring the &#8220;mystery of the incarnation&#8221; as to being into the word. Years later, his statement \u201cFiat hole!\u201d\u00a0[2] translates the topological truth of the biblical statement [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2093,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[62],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A fiction of self-generation \u2013 Vilma Coccoz - Pipol10<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pipol10.pipolcongres.eu\/en\/2021\/03\/25\/a-fiction-of-self-generation-vilma-coccoz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A fiction of self-generation \u2013 Vilma Coccoz - Pipol10\" \/>\n<meta property=\"og:description\" content=\"\u201cIn the beginning, there was not the origin. 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